Also for the record, my exploration posts with the cones never should have seen the light of day. They work for me, but their meaning is very hard to post clearly without more skillful drawing and better writing.
Pooey! I like reading what you put out Teebox, as one never knows where the next inspiration, truth, knowledge will come from and how, albeit at times abstract, those images may mesh with their own sense of self and doing, or at least be cause for contemplation- which is a good thing if you ask me.
Is the right elbow on the surface intersection of both cones or even inside it, the orange diamond volume, during impact?
I would say inside the diamond pattern.
Good players may not need any of this at any point and the exploration may irritate other students but did Ben and some others work through this sort of stuff as they developed their swings? I don’t recall seeing this stuff from Ben, for example, but that does not rule out that he thought about it and chose not to pester anyone with it. Hunch says some players worked through it and extracted whatever was useful, if anything; meaning, it’s doubtful any of this is original.
I have no doubt the man from Texas’ hardpan explored several areas from the simplest to the most off the chart stuff one could image. Can it be proved? No, but common sense prevails in this regard. It’s all good Teebox, keep those cards and letters coming.
Interesting tidbit here as it relates to your cones. Our digits basically produce a circular-cone action since they are ‘pinned’ at the knuckle. If we take two opposing fingers cones and place them against one another there is a little space between the fingers called Schamroth’s Window- and it is the same diamond pattern created by those two cones along the black axis.
Now what does this have to do with hitting a ball. Maybe something to some, nothing to others, and totally irrelevant to the rest, but it is interesting how continually recurring shapes paint the landscape. Beauty is always in the eye of the hurricane…ooops, beholder. 