Super Slotting the Golf Club

They are exercises that strengthen the forearm, hands, legs, and core body that all will be put together into a swing. You focus on one particular aspect at a time, mastering each technique.

Module 1 - Works on Impact, developing the forearm rotation.

Module 2 - Works on Ground pressures and forces with your feet and legs (Lower body)

Module 3 - Works on Post impact and pivoting that works both your arms and core body.

All this stuff is no joke! Definitely have to do the homework to get results. But its a great way to learn and develop excellent ball striking in the long run. :smiley:

Welcome Titleist…

This forum has two sides… a public side for general golf swing and equipment discussion, and an private side that is equally as massive in it’s content. Some of the ABS students or myself will drop terms like modules and opposing forces or other terms that are used over there… that often get leaked over here.

There are a lot of ways to swing a golf club and get adequate results. Super Slotting is something I teach on the private side, but even there it is only an option… not a requirement. It’s very good stuff though, it does work, and is supported by some of golf’s greatest strikers… so it’s worth an investigation for those who tend to be more technically minded and have a zest for hitting thousands of golf balls.

This thread is astounding!!

I am very impressed with Lag’s super slotting youtube swing and this gave me new inspiration…
So I went to bent my Irons 57 to 54 degree flat and half inch shorter than previous!
My 7 Iron has now 56 degree Lie angle - I love it! (I played already with 59 degree, but maybe they were to long
and not enough flat…)

[youtube]http://www.youtube.com/watch?v=IptaX_xZuKk[/youtube]

What I like is that I have to use my knees now - I was never able to reestablish after transition
my right knee and hip flex - now it happens and sure you can’t straighten your left knee well after
impact or you are toast…
For my swing ā€œLag’s specsā€ are gold…
I have to dig deeper - thank’s to the advancedballstriking comunity.
Chris

Chris, you should post your vids in full speed as well as slo mo. Love that post impact ā€œExit stage left!ā€

Sure a lot of good stuff going on there Chris…
thanks for posting…

[youtube]http://www.youtube.com/watch?v=fW2fJEp2MNQ[/youtube]

My recent thoughts on Super Slotting…

Even I still donĀ“t do it like I want - I had some thoughts why super slotting…

  • How about rotating the shaft around the sweetspot, instead of turning the sweetspot around the shaft…
  • This needs at release point the right forearm on plane, the shaft underplane and then the left arm shifts from above to underplane and bang… inertia is your friend.
    To be able to do this you have to super slot it…
    ChrisBrianP1.jpg
    ChrisBrianP5.jpg
    ChrisBrianP7.jpg

Hopefully Brian is not upset that I took his latest footage for comparison…
CRR thank you for the Sergio footage…

Chris

Chris,

It is actually Grady, not Brian. No I don’t mind. I just can’t get to where you are through transition. On the other hand I don’t see a lot of power in your motion…I may be wrong there…but I suspect if you could get some of my power and I could get deeper isn transition we would both be happy campers.

Also, I am preimpact and you are post…that accounts for some of the difference…though not all.

How tall are you Chris?

I am 6Ā“1 tall…

Interesting Grady… we totally power our swings differently but Face On it looks almost the same…
Only my ballposition is more forward:
ChrisGradyP5.jpg
ChrisGradyP6.jpg
ChrisGradyP65.jpg

Sorry about the Brian…

Sorry if I called you out for not having power…that is just the sense I get from watching your swing. If you have it that is super because it looks effortless.

There is a surprising amount of forearm strength needed to be able to work the club from the SS into a flat shaft angle through impact with the hands down low while holding a lot of wristcock. That powerful action also sends the shaft working left post impact and does wonders to keep the ball from going there. The SS is only one side of the equation. Trying to manufacture ā€œa lookā€ is not going to do well for someone. It is the result of two distinct opposing forces at play working one way and then the other.

The hands don’t want to be low through impact… because CF is trying to raise them up and inline with the left arm (DTL). But this low action is the way to go not only to keep the shaft on plane, but also to increase speed, force and pressure when done correctly, putting a huge lightening bolt of feel right up into the hands and arms terminating into the core of the body… then transferring into our brain.

Slot, hit and rotate… trumps slot and dump.

The golf swing is not learned well in a chronological sequence.

So true… I wished there was a different way when I started…

There is an big advantage in SS - you donĀ“t have to play only a Fade…

To Fade I use a convex handpath and for a Draw the handpath is concave -
what most people don“t understand is that you don“t have to swing your hands inside out
to draw the ball… the club goes slightly inside out… but the handpath goes stil after release point
left… Mac would call it INLINE.

[youtube]http://www.youtube.com/watch?v=ughRUaeiaik[/youtube]

No need for closed shoulders and pivot stalling or rotating the handle…
I change my COGs shift and this changes the handpath.
OK - nobody needs anymore to work the ball - but if you like to work the ball
I believe this technique thru SS is the simplest.

Chris

Chris, could you please elaborate a little more on the handpath concavity? Where does it start and end for you? Exactly as drawn? and do you mean the handpath still goes left or the handpath goes still? Sorry if I just don’t see it yet?

Thanks for your help

Sure, with the following pictures it will be clearer:
In the Shell“s Match he played mostly Draws (concave handpath from DSL)
P6.jpg
P7.jpg

Here he plays a Fade (convex handpath from DSL)

hogan handpath fade.jpg

My point was, that even you play a Draw - the handpath can go from the releasepoint on to the left!

Here is a concave handpath, but combined with 7 degree handle raising and slinging. The hands are going after
the release point still inside out to play a Draw:
tommy armour handpath.jpg

Chris

Text from George Knudson“s book: "I alter the plane to change curvature or ball flight by moving the feet.

The question would be, did he only alter the feet or did he change his handpath and with this the plane
too…
Look at his feet alignment… he needed alignment sticks, lol.
Draw…
knuson p1.jpgknudson p7.jpg

Chris

Thanks Chris,

It’s much more clear now for me…I’ll have to experiment with the handpath and see how it feels…I’m not in Mod 9 yet which covers how Lag does it. So I’ll have some fun with it in the meantime.

Appreciate your posts

John Schlee, one of the few who took lessons from Mr. Hogan…
John Schlee P4.jpg
John Schlee P5.jpg

6Ā“3 tall…
Chris

That’s a ton of knee flex coming into P3.
Exactly what tall hitters should be doing.

If you want to have some fun… take some DTL vids of yourself and check if you can get that much knee flex.
It’s pretty shocking especially for the stiff legged players.

Knees are the best way to lower your CIG into and through impact.

Nice post, thanks for sharing.