Thx for your posts ~
I went back & made a study pdf from that thread
Hitting/ Swinging/ Rotated Hit (Trevino Release) ,
and my questions seem to be fully answered - with great hope for the now & the future !
One reason I posted this thread on the Public side, is for others who aren’t yet students -
but who have an interest or familiarity w/ the Trevino approach -
thinking that they could benefit from some answers to my questions.
- On a slight different note, a careful reading of that thread shows just HOW MUCH Lag’s approach
allows for individual differences - and is, imho, the very opposite of a 1-way “Method”.
(Homer’s spirit lives? … not a “THE WAY” …
Of course, flaming debates are happening at this very moment on numerous other golf fora -
as to whether or not Lag/ABS is a “Method” -
much of it due to imprecision as to any particular poster’s DEFINITION of “Method” -
and therefore an abundance of arguments,
simply because the fundamental rules/definitions haven’t been made clear.
Oh, well … don’t really care.
It was an absolute treasure to read similar to :
“such-and-such is fine in your beginnings … don’t try to force yourself …
the further alignments and abilities must be EARNED …”
man, if that ain’t enough to make you happily hopeful, i don’t what is!
In reading of the Trevino-experiences of several others here - I have/had the same experiences -
so, alot of value in what’s shared there.
And also the mention of how several things in the mechanics could be progressed,
that would lead to a more Hogan-like experience (if desired).
Since immersing myself 1 more time in all the Hogan books during the past months,
I found I was able to pay very close attention in a way I hadn’t before -
especially with the aspects of the ball flight - not just starting & finishing direction/place,
but stuff like - *how MUCH did it curve *how FAR to either side did it reach *how LOW/HIGH did it go?
So much of this is artistry - it takes me back to hours & hours of shooting the bow as a kid,
mindless, just happy to do that thing over and over and over.
And to gain the ability to begin to work the ball - again like mastering different approaches to guitar -
speed-picking, Travis-picking, heavy-metal-muting, Doc Watson style - it’s all good, & it’s all fun
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