Cool Pic RR… HaHa… Didn’t even know I was doing it to that extreme in the video …exactly like Moe shows 
For those interested in purchasing my video Bradley Hughes The Lessons I’ve Learned Volume 1… it is now available for download at the following link.
http://store.payloadz.com/details/2058957-movies-and-videos-sports-bradley-hughes-golf-the-lessons-ive-learned.html
The video goes for 33 minutes and contains 27 quick tips covering various subjects such as grip, address, ball position, the swing, ball hitting drills, pitching, chipping, putting, specialty shots and course management. Download file size is 333MB. Price is US$19.99…I suggest saving the file as an avi/mpg once downloaded from the site so you have as a file for playback.
I plan on making at least 2 more videos over the next 6-9 months as I have another 50 tips that I will film when I am again in Sydney in August/September.
Hope you enjoy it and thanks if you purchase.
Bradley TwoMasters
This is the magic move I will be teaching soon in the Hogan Module Series. So exciting!
1 Like
Moe is not wrong here… working the club around the body has nothing to do with trying to swing on plane. Here Moe is showing us how important it is to have the clubface wide open at P3 so we can get the green light to hit the gas and rotate hard and level into the strike.
2 Likes
I teach my clients to feel they are pulling a sword out of a sheath and that move encourages the shaft staying closer to the body versus bouncing up like we see with most amateur golfers.
1 Like
I like to feel I am pulling the sword from the stone… out of my right hip pocket at P3.
I love the feeling that I am coming up to plane from under plane… rather than sliding down onto the plane from being upright.
1 Like
Same here. Using forearm torsion with range run out while coming up to plane is a better option than sliding down onto plane.
Somewhat like tuning a drum head to a particular tone. We can use the drum key and tighten past the desired tone then back the key off and tune down to the correct tone. Or we can stop the key short of the particular tone and tighten up to it. Either way, same tone but tightening upward to what’s desired holds head tension better.
3 Likes